Music, Star Series
NS2 & THE CAROLINA THEATRE OF DURHAM PRESENT
HEALTH CHECK: The Carolina Theatre of Durham is requiring all fans to provide proof of a negative COVID-19 test within 72 hours OR full vaccination for entry. The City of Durham is requiring face coverings to be worn while at the theater except while eating or drinking. Additional policies may apply on a show-by-show basis and are subject to change. More details available at our Health & Safety Policies page.
MacArthur Fellow and Grammy Award-winning mandolinist, singer, songwriter Chris Thile, who the Guardian calls “that rare being: an all-round musician who can settle into any style, from bluegrass to classical,” and NPR calls a “genre-defying musical genius,” is a founding member of the critically acclaimed bands Punch Brothers and Nickel Creek. For four years, Thile hosted public radio favorite Live from Here with Chris Thile (formerly known as A Prairie Home Companion). With his broad outlook, Thile creates a distinctly American canon and a new musical aesthetic for performers and audiences alike, giving the listener “one joyous arc, with the linear melody and vertical harmony blurring into a single web of gossamer beauty” (New York Times).
Most recently, Chris recorded Laysongs, out June 4, 2021 on Nonesuch. The album is his first truly solo album: just Thile, his voice, and his mandolin, on new recordings of six original songs and three covers, all of which contextualize and banter with his ideas about spirituality. Recorded in a converted upstate New York church during the pandemic, Laysongs’ centerpiece is the three-part “Salt (in the Wounds) of the Earth,” which was inspired by C.S. Lewis’s The Screwtape Letters. The album also features a song Thile wrote about Dionysus; a performance of the fourth movement of Béla Bartók’s Sonata for Solo Violin; “God Is Alive, Magic Is Afoot” based on Buffy Sainte-Marie’s adaptation of a Leonard Cohen poem; a cover of bluegrass legend Hazel Dickens’ “Won’t You Come and Sing for Me,” and “Ecclesiastes 2:24,” original instrumental loosely modeled after the Prelude from J.S. Bach’s Partita for Solo Violin in E Major.